Tag: Decameron Web

How women were portrayed in Boccaccio’s: ‘Decameron’

The way that women are portrayed in media and literature is a longstanding issue that has seen constant changes over time. We see much more representation for women in literature now, and this is thanks to many writers of the past, such as Giovanni Boccaccio, who helped break these stereotypes. Boccaccio was the creator of the text, ‘The Decameron’, created in 1358. It is a book that contains a series of stories played out within a 10 day time frame, 10 stories written each day, all occurring during the Black Plague of 1346. In this series of stories, Boccaccio covered many topics, such as fortune, nature, trickery, violence, and many others. However, one of the most common and talked about themes in ‘The Decameron’ is women and they’re role in society.

In ‘The Decameron’, Boccaccio portrays women as being smart and cunning. In the 1300’s, women were not allowed to have a say in their choices due to the sexist laws and strict gender roles that were forced upon them. Boccaccio, however, showed that women could stand up for themselves in many stories, such as in Day 6 Story 7. In Day 6 Story 7, Madonna Filippa gets caught cheating on her husband, Rinaldo. At the time, there was a law in Prato, Italy that stated that any woman that gets caught cheating will be burned alive. Many of her family and friends were telling Filipa to run away so she doesn’t get killed, but she didn’t believe the law was fair and equal and wanted a chance to stand her ground. She went to her trial and started talking to judge, saying that, “which conditions are wanting to this law, inasmuch as it binds only us poor women, in whom to be liberal is much less reprehensible than it were in men” (Day 6 Story 7, line 14). Through the use of her voice, Filipa was able to save herself from death and explain to the judges at the trial how it was unfair that the law targeted women and not men. She states how they could “ask my husband if I ever gainsaid him, but did not rather accord him, when and so often as he craved it, complete enjoyment of myself”(Day 6 Story 7, line 15), and how she had much more love to give to others. This was also seen in Day 7 Story 3, when Madonna Agnesa also cheats on her husband with Rinaldo. In this story, Rinaldo falls in love with his neighbor, Agnesa, and tries to get closer by asking her to consider having him as the godfather. Agnesa isn’t interested by efforts, and Rinaldo becomes a friar. Rinaldo, like the most friars during that time, becomes corrupt, and persuades Agnesa into having an affair. She agrees, but almost gets caught by her husband in which she lies too and says that her son “was taken but now, all of a sudden, with a fainting fit, so that I thought he was dead: and what to do or say I knew not, had not Fra Rinaldo, our sponsor, come just in the nick of time” (Day 7 Story 3, line 30). Based on these two stories, it’s made clear that Boccaccio believes women, like men, can be cunning and use their wit to defend themselves.

Master of Griselda Legend (1490-1500), The National Gallery London

Throughout this text, it’s clear that Boccaccio believed women should follow what their heart desired, even if it involved cheating on their partners. In many stories, such as the ones that were previously discussed, many of the women ended up having an affair and cheating on their husband because “Boccaccio demonstrates that women are significantly more sexual than men” (Kulshrestha, page 1). For example, in Day 4 Story 9, Guillaume de Roussillon has a wife that he found was cheating with his best friend, Guillaume. Guillaume de Roussillon found out about the affair between them, and ended up killing Guillaume and serving his heart to his wife. However, when he informed the wife about eating the heart, she stated “but God forbid that fare of such high excellence as the heart of a knight so true and courteous as Sieur Guillaume de Cabestaing be followed by aught else” (Day 4 Story 9, line 23), saying that since this was the best thing god has given her to eat, she will ever eat again. She then started “stepping back to a window that was behind her, without a moment’s hesitation let herself drop backwards therefrom” (Day 4 Story 9, line 24). This is a good example of women giving into nature because although his wife cheated, she gave into nature, and ended up dying for the person she loved more, ultimately cheating and leaving Guillaume. By including this story in ‘The Decameron’, Boccaccio shows women should give into their needs, without the consideration of others.

Lastly, Boccaccio also portrays women as people who are resilient and patient. In Day 10 Story 10, Gualtieri becomes the Marquis of Saluzzo and needs to marry to provide the family with an heir; he ends up falling in love with a poor girl of low-nobility, Griselda, and buys her marriage through her father. After marrying Griselda, he then wants to test her goodness and purity, through a series of cruel trials. Through cruel acts such as taking away her kids and telling her that they were dead, it became clear to Gualtieri that Griselda was a very resilient and patient woman, and that no matter what obstacle he put her with, she always fought through and stayed by his side. Gualtieri then divorces her and marries another woman to “to put her patience to the proof by prolonged and intolerable hard usage” (Day 10 Story 10, line 27), even still Griselda held strong. He remarries her, and proves her strength in the end by forgiving him for these tests that she had to go through. Boccaccio “demonstrates that women tolerate more adversity than men do, this increased tolerance for adversity may stem from a basic lack of options”  (Kulshrestha, page 1). This is clearly shown in Day 10 story 10, as Griselda stayed without being able to do much, and just giving into whatever Gualtieri said. 

As seen throughout ‘The Decameron’, it’s clear that Boccaccio shined women in a high light. He portrays them as being resilient, patient, lustful, smart and cunning. He gave a different perspective on the way women were seen, and gave readers an idea as to how he portrayed women. 

Decameron web. Decameron Web | Texts. (n.d.). Retrieved December 20, 2021, from https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?myID=nov0101&lang=eng.

Kulshrestha, S., 2021. Giovanni Boccaccio’s “The Decameron” and the Roles of Men and Women. [online] Inquiries Journal. Available at: <http://www.inquiriesjournal.com/articles/344/giovanni-boccaccios-the-decameron-and-the-roles-of-men-and-women> [Accessed 20 December 2021].

Representation of Women in the Decameron (their roles in the stories)

Giovanni Boccaccio created The Decameron in a time period back when women were seen as inferior to men, and quite frankly anyone else in society. They were seen as individuals holding lower social positions than men. In The Decameron, women are mostly always shown as severely restricted, and unable to do or act in ways that they wish they could. They were depicted in a way where they were not allowed to hold power or have a significant position in society, and that is exactly the way they lived their lives in the 14th-century. Instead, they were made to maintain their positions of stay-at-home wives and mothers, whose primary focus was to solely care for their families. However, In The Decameron, Boccaccio showcased women as being a lot more independent and more powerful for the most part (not all female characters showed this.) He surpasses the roles and expectations of women from that time period, by illustrating women as more intelligent, more patient, and way more lustful than they normally would be. He even shows women as being a lot more capable than men to endure a lot of hardships, heartache, and pain that others have put them through. All things considered, Boccaccio seemed to have been feminist, as seen by a lot of these stories.

The Decameron is a collection of stories or novellas by the 14th-century Italian author. In this series of stories, women have been represented in many different ways, both good and bad. One of the many representations being women outwitting men, and surprisingly, is something that happened pretty often. He tends to showcase women as coming out on top in most predicaments that they’re in, or doing things that at that time were probably frowned upon (An example of this being in the fifth story of the second day). In this story, a young and beautiful Sicilian woman named Madonna Fiordaliso sees Andreuccio’s open wallet filled with a ton of money and decides that she wants to take it from him. Fiordaliso uses all the information that she gathered from her older companion to devise a devious plan, inviting him into her home, and tricking him into believing that they are siblings. When he goes to the restroom, he falls into her trap, quite literally because he steps onto a loose plank and drops into an alley. He is left high and dry, while his wallet stays in her home.

He also showcases these women as very loyal, in these stories, enduring things that many of us would have most likely walked away from. (An example of this is on the ninth story of the third day.) In this story, the protagonist, Gillette, is very infatuated and crazy in love with Bertrand. She watched and learned her father’s medical skills, and implemented them on the king who unfortunately became sick. By successfully curing him in one week, she was able to get married to whomever she chose, which unsurprisingly was Bertrand. However, he wasn’t too happy with this because she was a working-class woman and not of a higher class. Ultimately, the only way for him to live with her is if she were to have his kids and a ring from him (which he thinks would never happen.) Since he is actually cheating on her with someone, she tricks him into giving her his ring & sleeping with her by pretending to be her. 

These two stories differ in this aspect because 2.5 shows a woman outwitting a man negatively, to get his wallet, while 3.9 shows a woman outwitting a man to get a positive outcome. As Monica Donaggio stated in Implications of Gender Reversal Disguise, “The idea of “putting oneself to the test/mettersi alla prova” is one of the main narrative situations in the Decameron. The character is able to use his or her disguise to accomplish something specific, but, as Donaggio carefully notes, when this is done, the character is able to return to his or her previous identity (which hasn’t ever really been forgotten).“ In these stories Boccaccio had these women go through great lengths and detailed plans to get what they want from these men, masking their true intentions. This is clearly shown with Donna Zinevra (second day, ninth story), who dresses as a young man in order to escape her husband Bernabò. 

This same concept can be seen in reverse where men are the ones outwitting women (An example of this being the fifth day, eighth story.) In this story, Anastasio, a Gentleman of the Family of the Honesti, fell in love with the Daughter of Signior Paulo Traversario. However, the feelings were not mutual and she was very unkind to him. Seeing that his attempts to make her fall in love with him were not working, he moved away. While he was walking in the forest he saw a naked woman being chased by an angry knight and dogs, but soon came to realize that they were already dead. He used this to his advantage and showed the woman with whom he was in love with this crazy event, scaring her into thinking that if she did not fall in love with him, he would do the same to her. This goes to show that although Boccaccio tried to show a positive side of women, in this case, their independence and intelligence, this story along with others are very counterintuitive. They show how women in fact still have a weaker, less intelligent, dependent side of them that others can easily notice and manipulate in their favor. All in all, women are depicted in both negative and positive ways in The Decameron, and we are given a glimpse of these different illustrations of them in all of the stories.

      Citation;

Generosity in the Decameron

The Decameron is a series of stories written by Giovanni Boccaccio. These stories are told by three men and seven women in the year 1348, during the rise of the Black Plague. In these texts, there are many mentions of themes, morals, and lessons learned throughout. One of the many themes that often came up in his writing is generosity. This theme is greatly shown throughout Day 10, Novel 3 and Day 1, Novel 1. 

In Day 10, Novel 3, which is narrated by Filostrato. In this story, Nathan, a wealthy and generous man, has a palace built so he can provide help and places to stay for any travelers that may need assistance on the way. He is met with Mithridanes, a man who is jealous of Nathan’s very giving nature, and is set to be more generous than Nathan, as he sees it as a competition. He creates a plan to kill Nathan, and ends up meeting Nathan himself without realizing. Once Mithridanes realizes the faults in his plan to kill Nathan after meeting him, he instantly backs down. Nathans suggests switching bodies with Mithridanes, as he still believed in giving Mithridanes what he needed. Ultimately, this gives Nathan a stronger sense of accomplishment with his generosity. Day 10, Novel 3 states, “Nathan for some days honourably entreated Mithridanes; Mithridanes, being minded to return home with his company, took his leave of Nathan ”. Nathan fulfills his promise, always giving people what they want and need, and Mithridanes becomes the person who is known for giving, additionally learning how to be generous. 

Another example of generosity is in Day 1, Novel 1, as told by Panfilo. In this story the main character, Master Ciappelletto, is known as the towns’ ‘fool’. He goes against many rules, he creates fake documents and testimonies, never goes to church, and often uses profanities. Due to this, many people were not fond of him, his actions or personality. He ended up moving to continue his practice, but became ill when staying at the house of two Florentine lenders. This became an issue for them, as if Master Ciappelletto did die, no one would bury him, but instead leave them with the body. Ciappelletto, however, was listening in on this conversation between the two lenders, and came up with a plan: meeting a friar to give his confessions before he died. The friar goes to see Ciappelletto,  but ends up getting tricked, as Ciappelletto he ends up lying about his confessions and creating lies. The friar ended up believing him, and Ciappelletto died that same day. Since he lied to the friar, he ended up getting buried at the friar’s convent, as he believed Ciappelletto was holy enough. Day 1 Story in the Decameron states, “The holy man was mightily delighted with these words, which seemed to him to betoken a soul in a state of grace”. At the end of this story, the narrator explains how this is an example of generosity on friar’s end, as he still gave Ciappelletto his rights, despite the opinion of others. He states that this story was a mix of good and evil in the main character, Master Ciappelletto, that had “an end with generosity glorified for its own sake and for God” (The Frame Characters of the Decameron: A Progression of Virtues). 

Annotations:

Decameron web. Decameron Web | Texts. (n.d.). Retrieved November 14, 2021, from https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?myID=nov0101&lang=eng.

Decameron web. Decameron Web | Texts. (n.d.). Retrieved November 14, 2021, from https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?myID=nov1003&lang=eng.

Joan M. Ferrante, The Frame Characters of the “Decameron”: A Progression of Virtues (n.d.). Retrieved November 14, 2021, from https://www-jstor-org.ccny-proxy1.libr.ccny.cuny.edu/stable/44940122?seq=14#metadata_info_tab_contents. 

Salvatore Postiglione (1861–1906)

Blog Post 3: Disguises and Their Effect on Women

Illustration from the Decameron, Day 2 (Sicurano pleading to the Sultan)
Miniature from The Decameron by Master Jean Mansel (1430-1450) and copyist Guillebert de Mets, Parigi, Bibliothèque de l’Arsenal, 5070.

Throughout The Decameron by Giovanni Boccaccio, I noticed several recurring themes, but in particular, the topic of disguises caught my attention. Characters in the story often took part in changing their identity in order to experiment or get things that they longed for.

One example of this in the male perspective is Day 3, Story 2. In this story, recounted by Pampinea, King Agilulf finds out that the groom impersonates him in order to fall in love with his wife, and she knew nothing of this. Because of this, the King goes on a mission to uncover who the man is, but the groom cleverly gets away with it for some time. However, the King learns of the groom’s scheme. On line 24 of Day 3, Story 2, Pampinea states, “So, angered and incensed beyond measure by the trick which, he saw, had been played upon him, he resumed his mantle and quitted the room with the intention of privily detecting the offender, deeming that he must belong to the palace, and that, whoever he might be, he could not have quitted it. [ 024 ].” The King then warns the townspeople of the groom’s trick in order to save his and his wife’s reputation.

An example of this in the female perspective is Day 2, Story 9. In this story, narrated by Filomena, a merchant name Bernabò places a bet with Ambroguiolo on his wife’s loyalty to their relationship. Ambroguiolo wins and Bernabò seeks revenge on Zinevra, his wife, for committing adultery by demanding a servant to kill her, though Ambroguiolo was in fact deceiving him. As a result, she dresses as a man in order to convince the servant to not do so and to lie to Bernabò. She later finds out that Ambroguiolo was the one who made this lie against her and bring him and her husband to the sultan. She pleads for forgiveness from her husband and Ambroguiolo is murdered for lying. Filomena (Day 2, Story 9) states, “…Sicurano, weeping, threw herself on her knees at his feet, and discarding the tones, as she would fain have divested herself of the outward semblance, of a man, said: [068]. ‘ My lord, that forlorn, hapless Zinevra am I, falsely and foully slandered by this traitor Ambrogiuolo, and by my cruel and unjust husband delivered over to his servant to slaughter and cast out as a prey to the wolves; for which cause I have now for six years been a wanderer on the face of the earth in the guise of a man.’ [069].”

Overall, these two stories are similar in the sense that the two individuals were successful in using the power of disguise in order to get something that they need/want. Nevertheless, it is clear what role men and women each play in society. In this instance, Zinerva had to disguise herself as a man in order to save herself from being murdered, while the groom disguised himself as another man for his own sexual pleasure. The Decameron web states, “When a male dresses as a female, he is ‘lowering’ his status; when a female dresses as a male, she is ‘raising’ hers.” (Decameron Web | Themes & Motifs, n.d.). Clearly, being a woman during this time was looked down upon and were submissive to men, and Boccacio may or may not have agreed with this. He wrote several stories showing women having to disguise themselves as males in order to “save themselves” from doing something that they did not want to do. Evidently, he understood the hardships that women faced, but it’s difficult to state his overall position.

Citations:

  • Donaggio, Monica. “Il Travestimento nel Decameron.” Studi sul Decameron. Firenze: Le Lettere, 1988.
  • Decameron Web | Texts. (n.d.). The Decameron: Day 3, Story 2. https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?lang=eng&myID=nov0302&expand=day03
  • Decameron Web | Texts. (n.d.-b). The Decameron: Day 2, Story 9. https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?lang=eng&myID=nov0209&expand=day02