Boccaccio and Machiavelli: Desire

This semester, we read the works of several Italian literary figures. Two figures that really stood out to me were Machiavelli and Boccaccio. It was very interesting reading “The Prince” and “The Decameron”. Reading the Prince, I found myself being shocked at how Machiavelli thought a ruler should rule. It was way different than what a ruler looks like in my mind. It felt like he had a very cynical view of people. With Boccaccio, he provided a very human point of view in the Decameron, writing all these interesting stories, each presenting a theme that shows some insight into human behavior. Reading both pieces of work, some passages felt very similar to one another.

The way that they feel similar to one another to me would be how they present morality. For Machiavelli, it seems that morality is not something that should be prioritized. In the eyes of Machiavelli, he feels that the prince should rule based on the circumstances, and not what may be considered good. “Hence it is necessary for a prince wishing to hold his own to know how to do wrong, and to make use of it or not according to necessity.” (Chapter 15). Throughout the chapters, he suggests more immoral ways of ruling. A prince should know when to lie, not keep promises, when to be cruel, etc. With these lessons, Machiavelli ultimately decides that morality is out of the question; that the prince should act on the desire to keep his power, no matter what. Power is the priority, not your morals. This in a way is similar to what Boccaccio writes about in his stories, where desire overcomes morality. 

Before talking about desire, what are the morals being presented in the Decameron? According to Robert Hastings in “Nature and Reason in the Decameron”, he states  “Arguably, the moral base of the Decameron is Nature.”. In the Decameron, it seems that our desires and morals are intertwined; as nature can be seen as our natural desires. A big example of a natural desire is love. In day four of the Decameron, a common theme among the stories is love ending unhappily. “Those who oppose themselves to the law of Nature are bound to failure and also perhaps to causing great harm.” (Hastings). In the fourth day, there are characters that oppose the love between two people, and end up causing “great harm”; causing the love to end, as the theme suggests, unhappily.

Desire can be seen as a strong force that drives the characters’ actions in each story. This desire is what causes the characters to abandon their morals and oppose nature. “Determined to quench the heat of her love by wreaking his vengeance on her lover, and bade the two men that had charge of Guiscardo to strangle him noiselessly that same night…” (Decameron, fourth day, first story). In this instance, the one wreaking vengeance is Tancredi, a prince. Tancredi has a daughter who is dear to him, and does not want her to marry. With this desire to keep his daughter close to him, he opposes his daughter’s love and kills her lover. Unfortunately, this causes the daughter to kill herself, showing the “great harm” that is caused by Tancredi’s opposition to nature. With this, we can see a similarity between the Prince and the Decameron.

Both works present a different moral system, but both present desire as a way to overcome those morals. One’s desire is strong enough to ignore these morals, and can cause them to carry out actions, good or bad, to pursue that desire. It was really interesting to read these two pieces of literature and see this. Each work provided a compelling insight into morals, and how we as people act with these morals, or how it affects us.

Sources:

Boccaccio, Giovanni. G. H. McWilliam, trans. The Decameron. London: Penguin Books, 197

Hastings, R. Nature and Reason in the Decameron. Manchester: Manchester University Press, 1975.

Marriott, W. K. “15.” The Prince, Project Gutenberg, 2017.

Fortune In The Prince

Raging River Photograph by Janet Kopper
One of the images that Machiavelli places in our heads as fortune; which is that fortune is like a raging river, representing bad fortune

Early in “The Prince”, we see that Machiavelli believes that personal ability is very important, determining how well they can rule. In chapter 5, he talks about those who have risen the ranks through their own ability, and those who haven’t, rising through fortune. “where there is a new prince, more or less difficulty is found in keeping them, accordingly as there is more or less ability in him who has acquired the state”. With those who have risen only through fortune, Machiavelli believes that they will have difficulty keeping that power. Machiavelli talks more about fortune later on, and more on why fortune shouldn’t be relied on too much.

In chapter 25, Machiavelli uses a river to describe fortune. He talks how fortune can be a raging river that floods the plains and sweeps away anything in its path, but “when the weather becomes fair… their force be neither so unrestrained nor so dangerous.”. Later in the chapter, he talks about the prince determining their actions based off their circumstances; and how if their actions are not suited for the situation, they will not succeed. If their fortune is like a “raging river” and do not react properly, they will not succeed, and may even end up losing their power. Machiavelli believes that fortune is the first half of what your actions are, and that the other half is your free will, or what can be seen as your own ability. The prince’s ability to react to their fortune will determine whether or not they will successful.

Angela da Foligno

Angela of Foligno - Alchetron, The Free Social Encyclopedia
Saint Angela of Foligno

Reading Angela da Foligno’s steps of penance was very interesting to me. It was very different to our previous readings, as this one felt the closest to god. It was very spiritual, and felt “separated” from being human, if that’s the right way to put it. The language felt different. An example of this would be the sixth step where she talks about acknowledging her sins. She uses very spiritual language when describing her experiences. She called her knowledge of her sins as an “illuminating grace”. Another small detail that was interesting to me was when she described her love as fire, which reminds me of Dante’s inferno, full of fire representative of life, full of strong emotion.

Fortune In The Decameron

Lady Fortune and Her Wheel
Lady Fortune and Her Wheel: Fortune is often depicted as a woman with a blindfold, spinning a wheel to represent the different outcomes and possibilities being chosen out of chance.

Reading through the stories of the Decameron, we see many instances in which there are “unlucky” or “unfortunate” situations, causing a bad ending; but we can also see how some people have been blessed with good fortune, resulting in a good ending. What stands out to me and interests me more would be those with “bad fortune”. We can see many cases of bad fortune in day 4, where love ends unhappily.

In day four, stories one and five, with Ghismunda and Lisabetta, they both fall in love with a man, but their family intervenes and kills those men. When I first read these stories, I believed that the family members of Ghismunda and Lisabetta were evil for doing this, but after reading “The Conception of Fortune in the Decameron” by Vincenzo Cioffari, it leads me to believe that it isn’t completely due to their corrupt morals; but that fortune played a big part in these heinous actions done by Tancredi (Ghismunda’s father) and Lisabetta’s three brothers.

To build more on this, let’s talk a little about Tancredi. “Never was daughter more tenderly beloved of father than she of the Prince, for that cause not knowing to part with her, kept her unmarried for many a year…” (Decameron, day 4, first story). Tancredi the prince, was blessed with good fortune to have a beautiful daughter that he loved with all his heart. We can see that because he loved her so much, he didn’t want her to marry. Not knowing how to part with her, he has a strong desire to “protect” her. To keep his “good fortune”. “In the Decameron the primary function of Fortune is to determine the outcome of a course of action: to help toward a successful accomplishment if Fortune is favorable…” (Ciofarri, 130). With Tancredi’s actions, we see how this is true. By keeping Ghismunda unmarried, he wanted to keep his “good fortune”. But when she fell in love, Tancredi felt threatened that his “fortune” would be taken away, causing him to murder Guiscardo, the man Ghismunda loved.

The fifth story of the fourth day presents how bad fortune can affect one’s actions. In the fifth story of the fourth day, Lisabetta falls in love with Lorenzo, a man who works with her three brothers. Unfortunately, her brothers find out and kill him. Eventually, Lisabetta finds out and decides to preserve Lorenzo’s head. She decides to put his head in a pot and plant basil, “Fostered with such constant, unremitting care, and nourished by the richness given to the soil by the decaying head that lay therin, the basil burgeoned out in exceeding great beauty and fragrance.” (Decameron, day 4, fifth story). Here we see Lisabetta faced with bad fortune, having her love killed by her brothers. We can see how this bad fortune caused her to do crazy actions. “Human reason and will do enter into the activity of Fortune, but not to dominate the fortuitous events” (Cioffari, 130). We can see that here, where Lisabetta’s decides not to overcome what happened to Lorenzo, but instead try to stay with Lorenzo, or have him close to her.

This is why fortune in the Decameron interests me, as it can be seen as a big factor playing in the actions of the characters. It was very interesting to read other stories, seeing how the characters reacted in different ways to their fortune, good or bad.

Citations:
Cioffari, Vincenzo. “The Conception of Fortune in the Decameron.” Italica, vol. 17, no. 4, American Association of Teachers of Italian, 1940, pp. 129–37, https://doi.org/10.2307/476489.

Decameron web. Decameron Web | Texts. (n.d.). https://www.brown.edu/Departments/Italian_Studies/dweb/texts/DecShowText.php?myID=nov0101&lang=eng.

Canzone 189: The Sea

In the canzoniere, we get to see the state of Petrarch’s mind many times, but there’s one metaphor for his state of mind that stands out to me. Canzone 189 portrays Petrarch’s state of mind as a ship at sea. The ship can be seen as his mind, with the sea and weather representing thoughts, or emotions. As we go on in the canzone, we can see that Petrarch feels a mix of negative emotions, placing the image of a sea in the middle of a storm with the rough waves of the sea. “My ship full of forgetful cargo sails, though rough seas at the midnight of a winter…”.

Ships in the stormy sea with gigantic waves Horrible storms - YouTube

As the poem goes on, Petrarch portrays his emotions by describing the weather in greater detail. “… the sail, by wet eternal winds of sighs, of hopes and of desires blowing breaks;”. Here we see that he feels lost and stuck with the sail breaking, as the sails are what help move the ship (Petrarch’s mind). At the end, he confirms this feeling of being lost, describing his lack of reasoning, and skill to move the ship. “… and I despair of ever reaching port.”. He feels he can’t overcome these negative emotions, and is doomed to be stuck in this storm.

Why does this stand out to me? To start, I love the imagery that Petrarch uses to describe his mind. I could easily imagine the rough seas, and cruel weather reading the poem, and relate to this negative blend of emotions creating a storm. Along with this, it stands out to me because it makes me think of Dante entering purgatory. Comparing the two, it creates an interesting juxtaposition. While in this canzone there’s a rough storm representing Petrarch’s unstable state of mind; Dante uses imagery of a ship in clear skies, with “The sweet color of eastern sapphire…” (Canto 1, line 13) of the ocean, showing a state of clarity after the inferno. This was something that stood to me and was interested in, as these were both very different states of mind, and the complete opposite of one another.